Martin’s formal education is in Biology, and his career path has taken many turns. He now finds himself doing what he started as a teen. He has had a camera in his hands for over 50 years. He has been the recipient of three world-level awards:
(1) HONORABLE MENTION, World Photo Gala Awards, 2012 Street Photography Competition, for the image 'Alvarado Ticket Office 1969'
(2) FINALIST, 6th Edition of the Pollux Awards 2014. (380 photographers from 47 countries submitted 2040 images to this 6th edition), for the image 'Roll By'
(3) FINALIST, 7th Edition of the Pollux Awards 2015. (984 Photographers from 62 countries submitted 5117 images to this edition), for the image 'Photo Gallery'
Martin’s images have been used by Amtrak, New Mexico Rail Runner Express, and various other publications. His work can be seen in Bernalillo, NM, at Home at the Range Gallery and the Freight House Tap Room. He shows in Santa Fe, NM, with the Santa Fe Artist’s Market and serves on the board of the Route 66 Art Alliance in Edgewood, NM.
Martin Matlack is a New Mexico native with a life-long passion for photography and railroads. Trained as a photojournalist, he is now a “Street Photographer” who delights in capturing people in their normal everyday element. He likes to say that he enjoys shooting people – with a camera! As a people-watcher, he can sit and watch people for hours, observing their faces, movements and mannerisms that make each one so unique. Every image is a snapshot in time.
He trained himself to see in black and white. He believes that this medium has an emotion not found in color photography. The subtle variations in light and shadow impart a magic and mystery to the image – in effect, they enable a storytelling aspect that is greatly diminished if not absent in a color image.
He shoots with film, and in medium-format, 6x6 and 6x7 cm. He processes his own film which is then scanned and converted to a digital image file that he then “develops” in a digital “lab” that gives him control of the final result to a degree that was not possible in the “wet-labs” of his early days.